Behold this greatness. I started using After Effects in summer of 2005. Prior to that I was mostly just a Final Cut Pro guy, editing short videos and home movies. I knew Photoshop to an extent, and eventually I got to the point where there were things I wanted to do with video that I could do with photos in Photoshop.
That led me to After Effects. The date on these files is marked as 6/8/2005, so they are almost 7 years old. I guess this could be considered my entire demo reel in 2005. I worked at an ad agency that made car commercials by the bushel, and they were fast and cheap designs. Well, maybe not designs as much as they were car salesman screaming this sketchy and misleading deal RIGHT NOW before it’s too late.
The footage of the Mustang is from Ford. They rotate the camera and car around and give you the clip and a matte to work with in case you want to composite. And composite I did!
In the first clip, I placed the car behind a stylish premade background from Digital Juice. Then I designed a speedometer in Photoshop and angled it in a 3D layer. I shrewdly separated the needle from the rest of the speedometer so I could do that sweet rotation move as the car’s speed revved up, despite it not driving anywhere. And somehow the whole speedometer starts getting all shaky and crazy but the needle stays perfectly still. You were supposed to feel the raw power of the car with all that shaking but now it just looks weird to me. I give myself an A for effort!
In the second clip, I merely took a dark sky stock footage and placed the car in front of it. I must have had the car filled with a black layer or used the matte to cut out the shape of the car from a solid, then I faded it out and brought the car to light.
MY work has gotten better since then (I hope), through nothing but absorbing tutorials and building project after project. You force yourself to get better by learning how to do things correctly or by creating projects that are based on an effect that people consider quality work. I think it’s important to remember what’s not on your reel and why, and it’s worthwhile to go back and look at work that really isn’t THAT old and see how far you’ve come.