Sweep NURBS can be used to create an interesting type of text within Cinema 4D if you use and position the right splines. This quick tutorial shows you how to make a unique style of typography that appears as if your letters extend well beyond the field of view with a deep bend off in the distance. I think it’s a very stylish way to animate text, and it’s a different take on the idea of 3D text. All you need is Cinema 4D, and maybe grab one of these cool fonts to use:

Quadranta
SMD Black
QUB

Here is part 1 of my Baseball Wall Title Sequence tutorial in Cinema 4D, also with compositing and post effects in After Effects. This tutorial shows you how to recreate the titles seen on ESPN this year promoting their baseball broadcasts. All of the elements in the scene are generated in Cinema 4D to create a portion of a stadium in 3D, and then you import this into After Effects and add your own titles onto the wall.

Here is part 1 of my Baseball Wall Title Sequence tutorial in Cinema 4D, also with compositing and post effects in After Effects. This tutorial shows you how to recreate the titles seen on ESPN this year promoting their baseball broadcasts. All of the elements in the scene are generated in Cinema 4D to create a portion of a stadium in 3D, and then you import this into After Effects and add your own titles onto the wall.

Check out my tutorial on CG Tuts to learn a way to create bar graphs using Mograph and Xpresso. These 2 Cinema 4D components make it so we can create our on data and input to drive the look and style of the graph. Once you create the base file, you can use it as a template to create bar graphs whenever you need to. You can export a video with graphs from Cinema 4D instead of creating a static, boring one in Powerpoint for your next presentation.

Check out my tutorial on CG Tuts to learn a way to create bar graphs using Mograph and Xpresso. These 2 Cinema 4D components make it so we can create our on data and input to drive the look and style of the graph. Once you create the base file, you can use it as a template to create bar graphs whenever you need to. You can export a video with graphs from Cinema 4D instead of creating a static, boring one in Powerpoint for your next presentation.

This tutorial shows you how to make a set of curtains that part in the middle, and reveal any footage you desire behind it. All is a few effects (mostly fractal noise) and some keyframes before you get a nice animation. If you render this out with an alpha channel, you will have a clip of these curtains that you can just drop into any composition and you won’t have to mess with the keyframes again. It could be a cool way to reveal a movie trailer or a demo reel.

Follow the link to view my CG Tuts+ tutorial about how to create a fast-moving, 3D subway train in Cinema 4D and then composite it into a subway station photo to make a realistic scene. The modeling in done in Cinema 4D, and the compositing is done in After Effects

Follow the link to view my CG Tuts+ tutorial about how to create a fast-moving, 3D subway train in Cinema 4D and then composite it into a subway station photo to make a realistic scene. The modeling in done in Cinema 4D, and the compositing is done in After Effects

Tutorial: Spider Web Animation in After Effects

So here’s a tutorial that may mimic a certain theme you’ve seen before. I show you how to create a spider web in Illustrator and then animate it to catch text in After Effects. It’s not limited to just text, you could make it catch anything, even footage. Here’s a link to the font I used. I’ve also included the web I created in Illustrator, in case you don’t have that application you can still follow along. I know it’s a big file, but After Effect’s continuous rasterization was messing up the effects added to the web, so I made it big enough to not require scaling it up. Lastly, I forgot to mention one little part that makes the web a little more realistic, but I didn’t want to go back and redo part of the tutorial since it was already compressed by the time I thought of it. A spider web has slight variations in the thickness of the web, or it at least appears to. It probably has to do with how the light hits it. So there’s a way to achieve this: Just ad a solid with fractal noise as a track matte above your web. Set the track matte to luma with some setting seen here on this screenshot. It just adds a little variance to the web.

Check this tutorial out if you want to see how to model and texture a beach ball in Cinema 4D. The modeling process is pretty easy on this one and then I show you how to use the selection tag to texture the beach ball properly.